Spotted in Ilfracombe last week. I used to think Bond Bugs were so cool when I was young.
On the way home from Devon, to avoid a nasty M4 traffic build-up near Swindon, we stopped off at Lacock, a small Wiltshire village owned almost entirely (and beautifully preserved) by the National Trust.
On the sunny afternoon after a bank holiday, it was a very peaceful spot, and a delightful antidote to the M4. (Or to Swindon).
Lacock is used as a location for many films – we recognised several bits of Meryton from the BBC’s Pride and Prejudice, for example. But it also has an important place in photographic history, because a window at Lacock Abbey was the image Henry Fox Talbot captured in the first known photographic negative.
As we drove home, I couldn’t help wondering what Henry F T would have made of Glenn Morse’s very cool project to build a photographic enlarger. This is no ordinary enlarger, though – the negatives are their own light source, because they’re displayed on his iPad screen.
One of the reasons I am sometimes envious of design/media companies is that they can get away with names that, in other sectors, would cause people at least to snigger, if not positively guffaw.
Can you imagine a law firm, or a steel manufacturing plant, deciding to name itself The Marmalade? Even in the technology world that I tend to inhabit, where many companies, let’s face it, have some pretty silly names, I’m still impressed.
But you can get away with such names if you have other ways to make people take you seriously. And Seb Wills pointed me at this Fast Company post which suggests that The Marmalade may not find that too hard. The embedded video clip, showcasing some of their work, contains some very impressive sequences.
© Copyright Quentin Stafford-Fraser