Evernote sent me an email telling me to reset my password because of their security breach.
My spam system filtered it out.
Mmm. C'est la vie moderne…
Evernote sent me an email telling me to reset my password because of their security breach.
My spam system filtered it out.
Mmm. C'est la vie moderne…
I’ve been trying to shift much more of the paperwork in my life into the digital world, but I was very keen that filing a bit of paper electronically should be as easy as putting it in a folder in the filing cabinet. “Wouldn’t it be nice”, I thought, “if the only thing I had to do was type a name or a few keywords and everything else happened automatically?”
So I built a system which did just that. This video describes in some detail how the script is set up. You may want to use the full-screen and HD options to make things more readable. If you’re less interested in the details and would just like to see it in action, watch the first couple of minutes and then skip to about 13:30.
One thing I don’t talk about in the video is the fact that Hazel rules can also look at the contents of the file. So, once the document has been OCRed, the automatic filing can happen based on words that actually occur on the paper — it might detect your car’s registration number (licence plate), for example, in a document and know to file that under ‘car stuff’ — which I think is very cool.
Some further links:
Richard has his cafetiere workflow nicely optimised, both for time and energy.
It’s 12 years today since my first blog post — the first post, at least, on a publicly-readable system that we’d recognise as blog now. I had registered this ‘statusq.org’ domain a couple of days before, and started tapping out miscellaneous thoughts with no particular theme, and no expectation of an audience.
I was using Dave Winer’s innovative but decidedly quirky ‘Radio Userland’ software, a package which is long since deceased but was very influential in the early days of blogging and RSS feeds. Over the years I’ve moved the content through a couple of different systems but I think — I hope — that all the URLs valid in 2001 still work today! Most of my early posts do not have a title. The convention of giving titles to what we thought of as diary entries wasn’t yet well-established.
Things that caught my attention in the first couple of months included:
Here’s a snapshot of Status-Q captured by the Internet Archive in early May 2001
Researchers at UCLA produced graphene supercapacitors — an amazingly efficient electricity-storage medium — using a standard DVD burner.
“The process is straightforward, cost-effective and can be done at home,” El-Kady said. “One only needs a DVD burner and graphite oxide dispersion in water, which is commercially available at a moderate cost.”
More info here.
Ten years ago, I wrote a piece for the IEE Review entitled “If You Love Your Data, Set it Free”, where I warned that Microsoft and other similar companies were experimenting with a subscription-based model of software.
This is a perfectly reasonable way of running the IT economy, but it has an important implication. If your data is stored in a proprietary format tied to one software package, as much of it probably is today, you may not have access to it if you don’t keep paying. Do you want to finish working on that book you started a few years ago? Sorry, that will cost you. In such a world, it’s worth asking yourself who actually owns your creative work…
Well, it’s taken a while, but Microsoft and Adobe are now actively pushing the subscription-based ‘Office 365’ and ‘Creative Cloud’ respectively. If you go to their web sites, it’s getting harder and harder to find a traditional buy-and-install product.
Software prices have been dropping dramatically recently, and it must be hard to persuade people who are used to paying under a fiver for the latest iPad app that it’s worth dropping hundreds on the latest Office or Creative Suite, however good those may be. This is particularly true if they already have an older copy. I’ve never felt a desire to upgrade my Office 2008 or Photoshop CS3, but I don’t use them very often. However, my wife, who uses Word all day, every day, also has no reason to upgrade, and in fact would probably view it as a retrograde step. So they had little choice. When you can’t innovate enough in your product, you have to innovate in your marketing.
Now, the subscriptions are not extravagant (at least compared to these companies’ traditional prices). If I used the software on a regular basis I wouldn’t mind paying. The problem is that you’re not just paying for upgrades, you’re paying for continued use. If you stop paying, you don’t, as in the past, continue happily using your current version. You get dramatically reduced functionality, in the case of Microsoft, or none at all, in the case of Adobe. So this is not a decision to pay for ongoing updates, it’s a commitment to continue paying indefinitely unless you want to go through the process of exporting all of your documents to some other format. The issue is particularly acute since these are apps into which you are likely to pour a large amount of your creative output, something you’re unlikely to want to discard. If you want to keep upgrading your software to the latest version, the pricing isn’t bad. But what you’re losing is any option about whether or not to keep upgrading.
So, on the one hand, this spurs me on to even greater enthusiasm for open file formats. And on the other, it makes me wonder about upgrading my copy of Office. Why? Well, it looks as if I won’t have the option very much longer of buying Office 2011, which, though already two years old, may be the last version for which I only have to pay once…
This is an interesting and unusual talk, given about a year ago at a Canadian software engineering conference. I’d seen it before, but a friend reminded me of it recently (thanks, Aideen!) so I’ve just watched it again.
Bret Victor starts by talking about new ways to design software, and finishes with some suggestions on how to live your life. This is dangerous, because you may only find him credible on one of these points, and one could perhaps argue that the one-hour talk would be better delivered as two half-hour talks. And the first couple of minutes, delivered in his slow, careful style in a badly-lit brown room, don’t jump out and grab you. However, I think he pulls it off, and it certainly has the merit of being very different from your typical software-engineering talk.
Recommended.
One of the things we try to do here at Status-Q Labs is to reduce the amount of frustration experienced by our fellow men and women in their daily lives.
Take, for example, the case of reverse threads. This is not, as you may suppose, an advanced mode of needlework, but rather the practice of using screw threads which turn clockwise to undo or loosen, and anti-clockwise to tighten, something that observant readers will detect as being contrary to the natural order of things. There are good reasons for using these — also known as left-hand threads — in situations where the normal use of the the device would tend to cause it to unscrew of its own accord.
However, there are few things more frustrating than not knowing that the thing you're trying to unscrew is, in fact, tightening up, especially if it's old or rusted or damaged and you expect it to be somewhat tricky anyway. Here are a few situations where I've encountered reverse threads in normal life: remembering these may improve the level of your future happiness and avoid some skinned knuckles and unwarranted expletives.
So there you go. Lodge those in your little grey cells and one day, I promise you, you'll thank me!
Anyone know any other situations where the unsuspecting might encounter left-handed threads in normal life?
Update: Lyndsay Williams pointed me at this Wikipedia page, which lists under 'Handedness' a few other places where left-handed threads are used. My favourite is that lightbulbs on the NYC Subway used to have reverse threads, so you couldn't steal them and use them anywhere else!
Beginners in photography can (understandably) get confused by the fact that big numbers mean small apertures, or that shooting 'wide open' implies a small depth-of-focus. I liked this mnemonic from Chris Orwig on a recent This Week in Photo podcast:
Imagine you're shooting a line of people. If you want one person in focus, use f/1. If you want all 16 in focus, use f/16.
Nice and simple.
Just checking some labels this morning.
I rest my case.
Ever needed to configure a network-based device using a web interface, but found that its default IP address doesn’t match the setup of your network? e.g. Your new device uses 192.168.1.* and you use 192.168.0.* ? Here’s an easy way to fix it: set up your machine to talk to both subnets at once. Here’s a little screencast to show how it’s done on the Mac.
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