Category Archives: Humour

Make your corporate video stand out!

It could be something awesome like this:

Thanks to Mark Littlewood for the link

Going underground

Thanks to Tom Standage for pointing me at this fabulous collection of fake signs people have put up on the London Underground.

Some examples:

tumblr_mbn8rnpC5G1qaju5u

tumblr_mbn8qud8911qaju5u

Understanding sports – a quick summary

sports

From VectorBelly.

Brevity is the soul of wit

Not sure of the origin of this – a cousin sent it to me…

If there was a shred of doubt the world is totally insane, this will remove it. Only Divine intervention can restore us to sanity.

Pythagoras’ Theorem: …………………….24 words.
Lord’s Prayer: …………………………………… 66 words.
Archimedes’ Principle: ……………………………67 words.
Ten Commandments: ………………………………….179 words.
Gettysburg Address: …………………………………………286 words.
US Declaration of Independence : …………………………1,300 words.
US Constitution with all 27 Amendments: ………………….7,818 words.
EU Regulations on the sale of cabbages: ………………………26,911 words

A super response

We were talking at lunch today about the foolishness of that old interview question:

“What would you say is your biggest weakness?”

Several people proposed suitable responses, but my favourite came from Richard. His suggestion?

“Kryptonite”

Bless you

I was telling Rose about a small photographic accessory that plugged into the hotshoe.

“The what?”

“The hotshoe.”

“That’s what it’s called? I thought you sneezed.”

Quantum Qonnection

This has been doing the rounds on the net for a while – to the extent that I’m not sure who deserves the original credit. But it’s very nice.

usb_superposition

Thanks to Chris Warrington for pointing it out.

Circles of logic

I cycle past this sign regularly:

I think this indicates that all of Cambridge is now part of the Cavendish Lab. I know they’ve been expanding a lot recently, but I didn’t realise they’d got that far.

On the other hand, I may be confused. It’s difficult to keep a clear head when you’re cycling backwards like that.

Dr Qui

This, I think, is quite fabulous. A jazz rendition of the Dr Who theme, by Bill Bailey.

Goldilocks for grey-haired geeks

When I was an undergraduate studying Computer Science, in the late 80s, the course was accredited by the British Computer Society on the condition that, as part of the syllabus, we were taught some COBOL. For those who have not encountered it, COBOL – the Common Business Oriented Language – is a very early programming language designed with the idea, amongst other things, that managers and other non-technical business types should be able to read and understand it.

In retrospect this wasn’t really a great idea (any more than it was when Apple tried something similar with AppleScript in 1993). Computer languages tend to get a kind of uncanny valley problem when you try to pretend that machines speak the same way as humans; the results are neither good English nor good programming languages. It’s a bit like Franglais, except that Franglais is enjoyable to use.

But COBOL can be forgiven; this was after all still 1959, and the world’s experience in programming languages was somewhat limited. It was designed by people as eminent as Grace Hopper (who was brilliant at handling David Letterman, as well as computers!). And COBOL was incredibly successful – for some decades it was the most-used computer language, and it’s still in use today, though it’s bizarre to discover there are people doing .NET programming with it.

Anyway, it was Dr Frank King who taught us most of our languages, and since he had to include a bit of COBOL, he did it mostly as a joke, starting with a properly-constructed “Hello World” program, which I seem to recall was 77 lines long.

At the end of the final lecture, he handed out photocopies of “The Common Business Oriented Goldilocks”, which had been published in Datamation magazine back in 1968, and which is written in something approaching valid COBOL. Maybe it is valid COBOL… I never wrote another line of COBOL after that lecture, so don’t remember. But I may have readers who do!

        THE COMMON BUSINESS ORIENTED GOLDILOCKS
            --- ------ -------- -------- ----------

IDENTIFICATION DIVISON.
PROGRAM ID.           A COBOL FABLE.
SECURITY.             INSECURE.
PROGRAMMER-ID.        ARTHUR SHAPIRO.
REMARKS.              SLIGHTLY MORE MANGLED VERSION OF ONE IN JAN., 1968
               DATAMATION.
DATE WRITTEN.         ONCE UPON A TIME.

ENVIRONMENT DIVISON.
CONFIGURATION SECTION.
OBJECT COMPUTER.      ANY MUSIC BOX, MEMORY SIZE 8X64 BYTES,
                      19 TAPE DRIVES, 11 DISK DRIVES, 1 GOLDILOCKS, 3 BEARS.
INPUT-OUTPUT SECTION.
FILE-CONTROL.
    SELECT TAPE DRIVES, ASSIGN THEM TO CREDITOR.
    SELECT DISK DRIVES.
    SELECT GOLDILOCKS, SELECT BEARS, ASSIGN TO ONE COTTAGE.
I-O CONTROL.
    APPLY RED TAPE TO TAPE DRIVES, APPLY BRAHMS RECORD TO DISK DRIVE,
    APPLY GOLDI, BEARS TO COTTAGE.
    DATA DIVISON.
FD GOLDI.
    LABEL RECORDS ARE STANDARD
    VALUE OF IDENTIFACTION IS "GOLDILOCKS"
    DATA RECORD IS GOLDILOCKS.
01  GOLDILOCKS.
    02    HGT   SIZE IS 62 INS.
    02    WGT   SIZE IS 110 LBS.
    02    VITAL-STATS.
          03    B     38.
          03    W     24.
          03    H     36.
    02    RATING      100%.
FD  THREE-BEARS.
    LABEL RECORDS ARE STANDARD
    VALUE OF IDENTIFICATION IS "BEARS"
    DATA RECORDS ARE DADDY-BEAR, MUMMY-BEAR, BABY-BEAR.
01  DADDY-BEAR.
    02    HGT   70 INS.
    02    WGT   750 LBS.
    02    COLOR-OF-EYES   BLOODSHOT.
    02    DISPOSITION     UNBEARABLE.
01  MUMMY-BEAR.
    02    HGT   65 INS.
    02    WGT   700 LBS.
    02    COLOR-OF-EYES   BLUE.
    02    DISPOSITION     BEARABLE.
01  BABY-BEAR.
    02    HGT   40 INS.
    02    DISPOSITION     INFANTILE.
WORKING-STORAGE SECTION.
01 COTTAGE      PICTURE IS COZY.
    02    KITCHEN.
          03    TABLE     SIZE IS LARGE, VALUE IS 1.
          03    CHAIRS    SIZE IS MEDIUM, VALUE IS 3.
    02    PORRIDGE.
          03    KING-SIZE    OCCURS 1 TIME.
          03    QUEEN-SIZE   OCCURS 1 TIME.
          03    PRINCE-SIZE  OCCURS 1 TIME.
    02    DOOR  SIZE IS USUAL, VALUE IS OPEN.
    02    BEDROOM.
          03    BED.
                04 LARGE     OCCURS 1 TIME.
                04 MEDIUM    OCCURS 1 TIME.
                04 SMALL     OCCURS 1 TIME.
          03    WINDOW    SIZE IS SMALL, VALUE IS OPEN.
01  CORRECT-COTTAGE REDEFINES COTTAGE, VALUE IS SAME.
77 KING-SIZE-BED-SLEPT-IN    SIZE IS BIG, VALUE IS ROCK-BOTTOM.
77 QUEEN-SIZE-BED-SLEPT-IN   SIZE IS MEDIUM, VALUE IS DEPRESSED.
77 NO-PORRIDGE               SIZE IS SMALL, VALUE IS ZERO.
77 SIP                       SIZE IS LITTLE, VALUE IS "SSSLURP".
77 SLUMBERLAND               SIZE IS UNLIMITED, VALUE IS ZZZZZZZZZ.
CONSTANT SECTION.
01 COMMENT1     SIZE IS 36, VALUE IS "SOMEBODY HAS BEEN EATING MY PORRIDGE".
01 COMMENT2     SIZE IS 36, VALUE IS "SOMEBODY HAS BEEN SLEEPING IN MY BED".
PROCEDURE DIVISION.
FOREST SECTION.
START-OF-TALE.
    OPEN STORY. READ FOLLOWING.
FIRST-MOVE.
    MOVE GOLDILOCKS TO COTTAGE.
    IF DOOR IS CLOSED OR BEARS ARE GREATER THAN ZERO ALTER ENTER-GO3
          PROCEED TO HASTY-RETREAT.
ENTER-GOLDILOCKS.
    GO TO KITCHEN-SCENE.
KITCHEN-SCENE.
    IF PORRIDGE IS KING-SIZE, PERFORM TASTE-ROUTINE VARYING PORRIDGE-
          KING-SIZE BY 1 UNTIL PORRIDGE EQUALS PRINCE-SIZE
          OTHERWISE COMPUTE IF COTTAGE = CORRECT-COTTAGE GO TO BEDROOM-SCENE.
TASTE-ROUTINE.
    SUBTRACT SIP FROM PORRIDGE(KING-SIZE).
    SUBTRACT SIP FROM PORRIDGE(QUEEN-SIZE).
    SUBTRACT SIP FROM PORRIDGE(PRINCE-SIZE) GIVING NO-PORRIDGE.
BEDROOM-SCENE.
    MOVE GOLDILOCKS TO BEDROOM.
    ADD GOLDILOCKS TO BED(LARGE). DISPLAY "IT IS TOO HARD".
    SUBTRACT GOLDILOCKS FROM BED(LARGE) GIVING KING-SIZE-BED-SLEPT-IN.
    MOVE GOLDILOCKS TO BED(MEDIUM). DISPLAY "IT IS TOO SOFT".
    SUBTRACT GOLDILOCKS FROM BED(MEDIUM) GIVING OUEEN-SIZE-BED-SLEPT-IN.
    MOVE GOLDILOCKS TO BED(SMALL). DISPLAY "IT IS JUST RIGHT".
    ADD GOLDILOCKS TO SLUMBERLAND.
BEARS-RETURN.
    MOVE DADDY-BEAR, MUMMY-BEAR, BABY-BEAR TO KITCHEN.
    MOVE CORRESPONDING BEARS TO PORRIDGE.
    DISPLAY "DADDY BEAR ", COMMENT1.
    DISPLAY "MUMMY BEAR ", COMMENT1.
    DISPLAY "BABY BEAR ", COMMENT1, " AND EATEN IT ALL UP".
    MOVE BEARS TO BEDROOM.
BEARS-IN-BEDROOM.
    EXAMINE BEDS, REPLACING ALL GOLDILOCKS WITH BEARS.
    DISPLAY "DADDY BEAR ", COMMENT2.
    DISPLAY "MUMMY BEAR ", COMMENT2.
    DISPLAY "BABY BEAR ", COMMENT2, " AND HERE SHE IS".
HASTY-RETREAT.
    IF WINDOW IS OPEN EXIT GOLDILOCKS OTHERWISE MOVE GOLDILOCKS TO DOOR.
END-OF-TALE.
    CLOSE STORY, DISPLAY "WOULD YOU BELIEVE CINDERELLA IN PL/I?".
    STOP RUN.

Inebriated cephalopod

I love this photo, posted on Facebook recently by Mark Littlewood.

octopus

Red, the Blood of Angry Men

Remember Les Miserables? The show that brought you such moving and beautiful lyrics as:

I am agog!
I am aghast!
Is Marius in love at last?
I’ve never heard him `ooh’ and `aah’.
You talk of battles to be won
And here he comes like Don Ju-an
It’s better than an o-per-a!
I saw it a couple of decades ago, at the gift of a kind friend, and had a pleasant enough evening, though I’ve felt no particular desire to repeat the experience. Well, now there’s a film, and, while I may get around to seeing it some time in the next couple of decades, I bet the process won’t be half as enjoyable as reading <a href=”https://themattwalshblog.com/les-miserables-taught-me-how-to-hate-again/” target=”_blank”>Matt Walsh’s review.

© Copyright Quentin Stafford-Fraser