Going underground
Thanks to Tom Standage for pointing me at this fabulous collection of fake signs people have put up on the London Underground.
Some examples:
Quentin Stafford-Fraser's blog
One should always have something sensational to read on the net...
Thanks to Tom Standage for pointing me at this fabulous collection of fake signs people have put up on the London Underground.
Some examples:
I had to take a picture of these steps in Chicago's Union Station recently.
If you've seen The Untouchables, you'll know why. The 'pram scene' is a brilliant piece of cinema; you can see it here, though this clip is missing the long build-up which is part of what makes the original so effective.
Of course, it is itself an homage to the scene in Battleship Potemkin at the Odessa steps, but I didn't know until today that it too had inspired a later cinematic tribute.
One thing I haven't generally had to pack when going for walks in the countryside - until I went to Montana - is bear repellent.
These are standard issue in that part of the world - you can buy them everywhere.
To an Englishman, an aerosol seems more appropriate for dealing with a small insect than a charging grizzly, but since the usual alternative advice is to lie down and play dead in this situation (which may cause the grizzly to ignore you), I can see why these are popular travel accessories.
Well, one quick transatlantic flight, and I've lost even more degrees of centigrade than I have hours of sleep!
For my more geeky readers, I can report that I return with a Scottevest Transformer jacket, and a Google Chromecast.
But the highlight of the trip was definitely the hikes we did in Yellowstone and in Glacier National Park. I leave you with my favourite picture from the Yellowstone Grand Canyon.
(Click for a larger version.)
I was quite pleased with this shot, taken by the Marathon Petroleum plant in Dearborn, Michigan last night.
(You can click it for a larger version, which looks much better)
This was handheld - I wish I'd had a tripod, but at this point the security guards pulled up and asked us to move on...
Part of what makes it 'pretty' is the use of two different types of lighting - given the industrial location, I imagine the golden light is sodium and the silver is halogen - and the camera's auto white-balance did a good job of reproducing what I saw.
But when I got home and loaded it into Lightroom, I thought it would be fun to try calibrating the white balance based on a chimney lit by the sodium light. (I could have achieved a similar effect by selecting tungsten white balance in the camera.) The result was also pretty. Can't quite decide which I prefer...