Quilt to live

It’s sometimes said that Americans have no sense of irony. Rose, who is one, and who does, points out that this is hardly a fair accusation to level against the country that created Woody Allen, or Frasier. I think she’s right.

But, as part of life’s rich tapestry, there are some people over here who will hang signs like this in fabric stores:

Live to quilt

What bothers me is not just that someone should actually display such a thing. It’s the number of people who must have been involved in its design, creation, printing, delivery, hanging… Did no one, in this whole process, ever think, “You can’t be serious! Come on, this is ridiculous! Live to quilt?” At which point everybody should have burst out laughing, admitted it was a joke, and sent it away.

I shouldn’t be too cynical, though. Sometimes these in-store displays can really reach out and help those in distress. I’m sure that many of us have lain awake at night, tossing and turning, with the following question spinnning endlessly through our minds:

How can I exfoliate at home?

The love duet

Larry Lessig, as always, gave a great keynote speech this morning at LinuxWorld, which touched on many topics, but a key focus was the following idea: that kids will always be creative in whatever medium is available to them. Nowadays, the medium is digital media, and playing with it and remixing it is what they will do, making use of previous creations in much the same way that jazz musicians have always played variations on older themes. It’s foolish, and counter-productive, to try and stop them.

As Hollywood, the RIAA, governments, and others try to stamp out unlicensed use of copyrighted materials, and copyright everything under the sun, in the vain hope of preventing piracy, they are also doing something more serious; they are turning the natural creativity of youth into a criminal act. What does this do, in the long term, to young peoples’ perception of the rule of law?

Anyway, as one of his examples of remixing, he played the rather nice ‘love duet’ between Bush & Blair created by ATMO as part of their ‘Read my lips’ series. It’s only a short clip – I recommend the 4M Quicktime Movie. Very clever.

Still life 2

Another shot from Fort York, Toronto.
Fort York
Neither this, nor the previous one, is a particularly great photo, but I love the way the natural light from the window goes with the period colours.

Street Music

I’m in San Francisco, staying just off Union Square. It’s a much nicer temperature here than it was in Detroit last week. A cool breeze drifts in through the window, along with the sound of a saxophone in the street outside. Very mellow…

Cambridge Daily Photo

Somebody going by the pseudonym of ‘Neorelix’ has started a nice blog of Cambridge-related photos.
Thanks to Heidi Tempest for the link.

Desktop evolution

Windows 3.0
Seb Wills pointed me at a rather different type of museum – this nice chronology of desktop images from different operating systems.

Blogging from the ground up

Regular readers will know that I helped start a Seattle-based company called Exbiblio, which is based on some quite interesting technology and business concepts.

What’s also interesting is that Exbiblio have decided to blog about as much of their life as possible. Some of the blogs are for internal use only, and those are proving to be quite an effective communications mechanism. But there’s also a public blog which is written both by people on the inside and an outside observer, Hugh Fraser (no relation!), who has been brought in specifically to document the building of this somewhat unusual company.

Exbiblio, the company, is about changing the way we interact with paper documents. But it may also be about changing the way startups do business.

Travelling (not quite so) light

Pelican case
Like John, I’ve been wondering how I’m going to get all my fragile and valuable stuff home – most notably my laptop – when I’m not allowed any hand luggage.

So, yesterday, I treated myself to a Pelican case.

Pelican case
I’ve used Pelican cases before for transporting demo kit, including 17″ LCDs, around the world, and they’re fabulous – it’s almost the only container I’d really trust to survive airport baggage handlers. I’ve always wanted an excuse to buy one, and now I can also use it to bring back some pottery that Rose bought while over here.

Whether it’ll save laptops and vases from the careless unpacking and repacking of airport security personnel, however, is another question entirely…

Curves in Detroit

Edison steam engine

Harley-Davidson police bike

The first is a steam engine which formed part of Thomas Edison’s Menlo Park laboratory, and which, along with the rest of the laboratory, as been transplanted to the Greenfield Village museum, just down the road from Rose’s parents’ house.

The second was gleaming in the bright sunshine, just outside a Mexican restaurant where we had lunch on Monday.

Where the hell is Matt?

Amidst the chaff, there’s some really interesting stuff available on YouTube.
I think this is great, for example, and keep asking myself why it’s so compelling:

Matt became quite a celebrity as a result of this trip; see him on Good Morning America, for example. More info on his site.

Thanks to Garr Reynolds for the link.

Back on Safari


In June I tried switching browsers. Since then I’ve been using Firefox for the web and Vienna for reading RSS feeds. It’s a good combination, but I never quite liked it as much as Safari, which shows me the RSS counts on my bookmarks bar. And having to start up or switch to a different application to read RSS stuff meant that I was never quite as up-to-date with news as I was in the old days.

It’s true that Firefox is more capable when it comes to AJAX-based sites, or WISIWYG editing of blog posts. The Web Developer Toolbar is invaluable when developing web sites. You can even use themes to make it more Mac-like, but it’s never felt quite as smooth as Apple’s offering.

So for now, I’m back to Safari as my main browser with Firefox as a backup. The good news is that I haven’t touched Internet Explorer in years…

© Copyright Quentin Stafford-Fraser